HT: Samuel James
The last decade of the American film industry has been unparalleled in its repetition, reliance on twice (and thrice) told tales, and shameless appeals to nostalgia and familiar fables. The phenomenon is not merely of recycled plotlines or predictable stores, which are features of any art form and can be just as healthy as obnoxious. Rather, the Hollywood of the previous 20 years has fixated almost exclusively on sequels, reboots, and remakes. What audiences are getting from their cinematic storytellers isn’t merely like what they’ve seen before; in a many cases, it’s exactly what they’ve seen before.
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